Who is behind this site?
The main person is Jim
Drew. I came into the leather community in
the early 1990s in the Bay Area, and moved to Seattle
in 2000, where I have been very active. Amongst
my accomplishments are 2nd runner-up to Mr. International
Rubber 2000 and 2001, Seattle Leather Daddy 2004, and
recipient of a Washington State Mr. & Ms. Leather
Organization Leather Emerald Award (2003), Seattle
Men in Leather’s Man of the Year award (2004),
and Generic Leather Productions of Washington’s
Man of the Year award (2005). I have served on
the boards of Seattle Men in Leather and Seattle’s
Sex-Positive Community Center (aka the Wet Spot). In
less leather-specific arenas, I spent four years as
an editorial cartoonist, reviewer, and reporter for
the Silicon Valley gay newspaper OutNOW! in
the mid-90s, I have been a country-western dance performer,
choreographer, and instructor, I was the secretary
for the International Association of Gay/Lesbian Country
Western Dance Clubs (IAGLCWDC)
for three years, and I run the small design company
(graphic/print/t-shirts) CFM
Designs.
For information about why I have put
together SoundsKinky, read this
story.
What kind of leather stories do you
want?
SoundsKinky is dedicated to “leather
oral history,” which we define as stories about
the leather community and the leather lifestyle, as told
by the individuals who experienced them (or sometimes
by those to whom the stories were told).
In many cases, these are personal stories – why
I did this, what happened when we were there, how that
event came together – filled with humor, touching
moments, and “Oh, did I forget to mention…” tangential
digressions. In other cases, they are somewhat
dispassionate recountings of events, loaded with names
and facts but perhaps distanced from emotion. Both
sorts of stories are welcomed and encouraged, because
leather community history requires both.
If you have photos, drawings, ephemera
(event posters and programs, pins, patches, etc.), or
even audio and video clips, we would love to include
them along with the text stories, as such items can really
make the stories come alive. (Digital photo and
scans of physical items, and duplicates of audio or video
are best. Keep the originals for your own mementos,
or send them to the Leather Archives & Museum.)
What kind of leather stories do you not want?
Porn: While sex is an intrinsic
part of the leather community’s nature, SoundsKinky is
not a site hosting jerk-off materials. (Even if
they are true.) Of course, some stories included
on SoundsKinky may have sexual content to them,
but that should not be the primary focus of the story.
Fiction: As with Porn, Fiction
has its place, but that place is not at SoundsKinky. We
want to provide true stories (or at least stories
that are intended to be true; for each person
who experienced something, there’s a different
yet also true story to be told).
News Reports and Press Releases: SoundsKinky archives
the stories of individuals rather than journalistic articles
(although we may link to such items from within given
stories).
Essays and Opinion: Midway
toward the truth from Fiction are opinion and editorial
essays. We love the fact that you have strongly
held opinions on some subject pertinent to the leather
community, but SoundsKinky is not the proper
place for such items. (Have you considered
starting a blog?)
Dish and Dirt: Stories which
have an obvious agenda, or which spread innuendo and
gossip, will not be included in SoundsKinky. A
rule of thumb is to wait at least a year after the events
in the story before sending it to us. That allows
the dust to settle, tempers to calm, truth to separate
from fiction, and the value of a story to become clear. (Make
no mistake, however: some of the best leather stories
have negative parts to them. It may be wisest to
leave out specific names where hurt feelings might arise.)
What editing occurs with submitted
stories?
Ideally, a story could be presented
exactly as it is delivered to us. In practice,
though, it needs editing and fact checking. At
the very least, spell checking and formatting needs to
be done. We reserve the right to edit for accuracy,
completeness, and readability. We will do our best
to retain both the content and intent of the storyteller,
while ensuring maximum accessibility to readers; we will
do our best to retain the exact wording used by the storyteller
where possible.
Some stories come as transcriptions
of interviews or spoken talks. Such are rarely
appropriate for direct dispersal, since people rarely
speak in a manner ideal for reading, loading their speech
with “um” and “so” and run-on
sentences. In other cases, extraneous content may
need to be trimmed to better highlight the core story. And
some people, to be frank, are not skilled writers, and
others are simply more interested in getting the story
told than on the niceties of grammar. (We agree! By
all means, tell the story first, and let us worry about
the dangling prepositions.)
Prior to posting any story, we will
give the submitter the opportunity to review the edited
version. This will allow further modification,
expansion, and correction to occur, and if need be, the
entire story can be withdrawn prior to going live.
What about names and privacy issues?
This is a sticky point. In some
cases, the individuals involved in a story may not wish
to be identified with they full names, preferring a nickname,
a scene name, or just a first name and last initial. In
many cases, the people involved may not even be alive
to express their opinions on the matter today. When
there is no information to the contrary, SoundsKinky will
err on the side of completeness (and on the side of having
a more useful index): we will use first and last names
unless directed otherwise, and we will include nicknames
and scene names where available.
At the same time, we do not want to
cause stress or problems for anyone, and if contacted
about preferred names to use, we will be glad to change
such in a prompt manner. (Note that such contact
needs to be legitimate, from the individual or the individual’s
estate. Information that "John Smith should
always be listed as ‘Master High Horse’ needs
to come from Mr. Smith himself.) If need be, entire
stories can be removed.
Can I correct a story? Add
to one? Comment on one?
Definitely. “All stories
are true,” as the saying goes, but not all stories
are correct. Or complete.
With each story, we include a comment
link, allowing you to send us an e-mail. Please
let us know any corrections, expansions, or comments
you have about the story.
For comments which are pertinent, we
will post them as addenda to the story, with metadata
and index tracking of their own. For that reason,
we ask that commenters be willing to provide a name and
contact information, although such can be kept private
if desired.
Comments are subject to the same guidelines
for appropriate content and editing as full stories. Longer
comments may be turned into full story entries of their
own, as appropriate.
Is there a regional bias to this
site? I see a lot of Seattle items…
I live in Seattle, so it’s only natural
that much of the early content will relate to Seattle
and other Northwest locations and their events. This
will even out over time, as stories from other areas
are added.
Is SoundsKinky related to
StoryCorps and other oral history projects?
Only via inspiration.
Is SoundsKinky connected
to the Leather Archives?
Not directly. SoundsKinky supports
the goals of the Leather
Archives & Museum, and will seek to work with
them, including eventually providing a paper archive
of the stories in this site to be stored there.
And we recommend that you become a
member of the organization.